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Aaron Szymanski

Aaron Szymanski’s wide ranging work with Evo Design (www.evodesign.com) covers housewares, children’s toys, electronics, medical equipment and more. For Szymanski, Evo’s president and design director, what joins all the work together is the approach: seeking a perfect vision of what the product should be, not just today, but for the future.

Green Teeth

This morning I brushed my teeth with a recycled toothbrush. As I looked in the mirror, toothpaste frothing, the thought that it had all started with this simple piece of plastic was enough to make me stop for a second. And then I kept brushing.

Over a year ago, one of our designers in our firm brought in a Preserve toothbrush made by Recycline, along with a Stonyfield Farm yogurt cup that mentioned Recycline recycling all their plastic yogurt containers. The toothbrush was their first product—the foundation of all the Preserve products—it received placement in specialty stores, then eventually mass merchants and even a cameo role in a movie (Will Farrell brushes his teeth with it repeatedly in “Stranger than Fiction”).

We had been reviewing the products that we had made in the past and wanted to work with a company that reflected our own mission for sustainability. After all, we didn’t endure the looks from the natives when we turned a sewage treatment plant into our company headquarters for nothing (ah, but that’s another blog entry).

So, as the head of design, I did something and … I called them. I talked to someone on the other line, made a proposal to expand their product line and hung up.

Over the course of many phone calls and meetings, Recycline took us up on our offer to supply them with product design and refinement in exchange for a royalty on whatever went to market. A lot of firms our size have worked on royalties for years but this was our first try. And I’m happy to report that after less than a year, several of the products we developed with Recycline are available at Whole Foods including food storage containers, cutting boards and colanders. (For the whole story, check out Metropolis: Cooking with Leftovers)

My Glass Is Greener

It seems that everywhere I turn, all the design conferences somehow are focusing on green.

In March, I had the opportunity to attend the 2008 International Housewares Show at McCormick Place in Chicago. Every spring, the show takes up three of the four gigantic halls covering everything from small, local pot holder manufacturers to giant international appliance manufacturers, like Haier (China based “white goods” manufacturer with annual sales over 15 billion).

Most people I know go for the exhibition portion of the event, but there are also conferences. This year, one of the predominant themes was green. There was also a special section on the floor for green design and many of the speakers also had a presence in this area. (At the end of this I will post a list of those who presented.)

The exhibition area also had many manufacturers marketing a sustainable position. The claims ranged from using post consumer waste (as in the Sustain Mug by Aladdin) to using classic design forms that would inspire consumers to keep them forever.

Why Can’t Every Product be Sustainable?

If you go to the mass retailers today, it’s likely that you’re going to pay more for sustainably designed, developed, manufactured and shipped products. In some cases, like my Timberland boots, the products will be superior in all ways that matter and the sustainable attributes will be an added-value. But in most cases the product will either be harder to find, quicker to wear-out or less aesthetically pleasing than the less-sustainable competition.

It’s tempting to point out the many examples beyond my Timberlands, which are sustainable without the sacrifice or the bloated price tag. Sure, they exist but they are the minority–a miniscule struggling minority. If we all start to question why, we can shift every product manufactured towards a more sustainable approach. Every product.

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