For anyone who has seen the original Invasion of the Body Snatchers, they might get that same feeling of “us” versus “them” that fills the truly indie 9500 Liberty. Body Snatchers grabbed its content and texture from the red scare, the McCarthy era where people believed that Communists (or rather aliens) launched an invasion of the small town. 9500 Liberty takes that same feeling with a Virginia town that according to some locals has been invaded by Zapatistas but the scary thing here is that the film here is a documentary.
In the McMansion and McMall loaded Prince William County, a wealthy suburb of Washington D.C., directors Annabel Park and Eric Byler weave a hot button topic film that shows a community hatefully splitting itself in half — one side the conservative, wealthy lower and middle class Anglos who wish their community to remain lily white and the other side the immigrants who moved into the lower and middle class neighborhoods but also built the McMansions, cook the food and represent much of the quiet economy of the town. The film shows the racial divide that forms as a result of a one notable blogger who creates a fear campaign camping and gets the city council to enact an immigration policy that requires police officers to question anyone they have “probable cause” to suspect as being an undocumented immigrant.
Body Snatchers grabbed its content and texture from the red scare, the McCarthy era where people believed that Communists (or rather aliens) launched an invasion of the small town. 9500 Liberty takes that same feeling with a Virginia town that according to some locals has been invaded by Zapatistas but the scary thing here is that the film here is a documentary.
Sigourney Weaver narrates “Acid Test“, an illuminating and terrifying NRDC documentary that explains how quickly our planet’s oceans are acidifying due to all of the carbon dioxide that we are pumping into our air. This pollution is causing rapid changes in our oceans’ chemistry that will completely disrupt all life on the planet as we know it on a scale that has not been seen for tens of millions of years.
Just a few minutes ago I received this rather nonchalant tweet from one of the movie’s Swedish creators, Fredrik Gertten: http://bit.ly/IoQ96 DOLE dismissing the BANANAS!* law suit it seems.
Filmmaker Ken Burns’ most recent PBS documentary, The National Parks: America’s Best Idea, is a stunning and utterly engrossing tribute not only to our country’s many awe-inspiring natural landscapes, but also to our nation’s fundamental democratic principles. Burns interviews scores of ordinary people, from park rangers and activists to journalists and historians, as they trace the origins of our greatest collectively-owned resources, and share their unique personal experiences in the vast beauty of our national parks.
“When we look at the parks and we look at the United States and we examine the whole idea of democracy, I think that the park experience is an exploration of the idea of freedom.”
When dermatologist June Irwin first stood up in 1985 to speak at a Hudson, Quebec, town council meeting about the potential link between synthetic lawn pesticide and herbicide use and human and animal illnesses, she was written off as a flake. Irwin persisted, though, attending “every single town meeting in Hudson for six consecutive years - each time reading aloud a different letter with new observations and facts.” Eventually, she got her message across, and Hudson (population 5000) became the first town in North America to ban the use of these chemicals.
Last Tuesday, EcoWorldly Staff Writer Bryan Nelson wrote an article on the suspension of dolphin slaughter in Taiji, Japan. The suspension came off of Japanese local media swarming on Taiji, after the award winning documentary film “The Cove” put the spotlight on the small Japanese village that slaughters thousands of dolphins every year.
Ric O’Barry, the dolphin trainer and activist who brought the location to the attention of filmmakers, returned to the site of the slaughter this week, just as the annual “hunt” would normally begin. However, this time with all of the media attention, no dolphins were killed in the first 2 days of the season.
“What’s on Your Plate?” is a compelling new documentary that follows two eleven year old African American city kids, Sadie and Safiyah, as they explore their local New York food systems over the course of a year. The film accompanies the two girls as they embark upon a quest to learn more about food politics and the origins of what they are eating.
Catherine Gund, filmmaker and co-founder of the feminist [...]
An explosive new documentary, Bananas!*, examines global food politics by following the crusade of lawyer Juan J. Dominguez, as he fights for the rights of thousands of banana plantation workers in Nicaragua who have been made sterile from exposure to the banned pesticide DBCP (Dibromo Chloropropane). This toxic chemical has been shown to cause cancer in animals, sterility in humans, and has been banned in most of the Americas
A seemingly paranoid, ex-dolphin trainer slowly drives through a foreign land while being pursued by police and other locals may appear to be the start of a riveting spy thriller and in some cases that’s exactly what this film is but instead of drawing from the mind of Robert Ludlum, this situation comes from a real life deep dark cover up. Four years in the making, The Cove, surrounds the slaughter of thousands of dolphins in Taiji, Japan instantly thrusts viewers into a sort of Flipper espionage that not only rivets the audience but sends them on an emotional and educational rollercoaster.
The Cove refers to a sea inlet of the coast of Taiji where on the surface the town seems to embrace dolphins but in reality some of the local politicos as well as a handful of fisherman keep the dolphin slaughter a secret to not only most locals but the rest of Japan as well.
For anyone who has seen the original Invasion of the Body Snatchers, they might get that same feeling of “us” versus “them” that fills the truly indie 9500 Liberty. Body Snatchers grabbed its content and texture from the red scare, the McCarthy era where people believed that Communists (or rather aliens) launched an invasion of the small town. 9500 Liberty takes that same feeling with a Virginia town that according to some locals has been invaded by Zapatistas but the scary thing here is that the film here is a documentary.
